Umberto Boccioni’s Futuristic
The creative engine of Italy was running low on fuel at the end of the 19th century. The Italians seemed to be still holding on to the pompous arrogance of the times and indulging in self-involvement. There was no other country at this time that was so subjected to the past, paralysed by lack of distinctive ideas, and deprived of a unique cultural identity1. The Italian public was fine with protecting tradition, and following naturalistic …
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