Escape Via Love and Intoxication
In Ernest Hemingway's A Farewell to Arms, love and intoxication are closely tied to the even grander theme of escape. Although escape is a greater driving force, it exists in its connection to these other themes. This complex relationship is found not only in Hemingway's use of action and language, but also in the minds and philosophies of most of the major characters. Escape seems a natural preoccupation in a state of war. Hemingway makes
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war. But he never displays love for or interest in the child he has created. Catherine too seems to view her pregnancy as a disgusting and annoying state. Thus, the tragic ending provides a final flight from reality. There will be no impending responsibility or hardship to demand structure in this relationship. Even the inevitable consequence of nature is avoided. But this time, Henry has only his sorrow to drown in as he grasps freedom.
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