Nazi Germany regulated and controlled the art produced between 1933 and 1945 to ensure they embodied the values they wished to indoctrinate into the German people. The notion of ‘volk’ (people) and ‘blut und boden’ (soil and blood) was championed in paintings to glorify an idealized rural Germany and instill a sense of ‘superiority’ in the Nordic physicality. Highly veristic and asthetisized works romanticized everyday subjects and reiterated redundant stereotyped Nazi ideals of the human body and …showed first 75 words of 2340 total…

…showed last 75 words of 2340 total…Totalitarian Art: in the Soviet Union, the Third Reich, Fascist Italy and the Peoples republic of China, Collins, London 1990 Hinz, B., Art in the Third Reich, Blackwell, Oxford, 1979 Whitford, F., ‘The Triumph of the banal: art in Nazi Germany,’ in Timms, E. and Collier, P. (eds), Visions and Blueprints: avant-guard culture and racial politics in early twentieth century Europe, Manchester University Press, Manchester, 1988 www.curtin.edu/learn/unit/art www.primenet.com/~byoder/artofnz.htm