Good drama is built on conflict of some kind -- an opposition of forces or desires that must be resolved by the end of the story. Streetcar Named Desire employs exactly that. An opposition of forces, and desire, all of which must come to some sort of resolution or conclusion at the end. This is the backbone of the dramatic structure used in Streetcar Named Desire. The start of the play introduces the audience to …showed first 75 words of 425 total…

…showed last 75 words of 425 total…more dramatic. Words were always said with much exaggerated emotion, and were said slowly so as to allow audiences to take it in. Language was always very supportive of the emotion being conveyed. Mitch did not simply “Kiss” Blanche, he “Desired” Blanche. The dramatic structure used within Streetcar Named Desire was very effective. It very successfully conveyed the themes, and storyline, to the audience in the dramatic manner that it was always meant to do.