Harlem Renaissance
During the Harlem Renaissance a new feeling of racial pride emerged in the Black Intelligencia. The Black Intelligencia consisted of African-American writers, poets, philosophers, historians, and artists whose expertise conveyed five central themes according to Sterling Brown, a writer of that time: “1) Africa as a source of race pride, 2) Black American heroes 3) racial political propaganda, 4) the “Black folk” tradition, and 5) candid self-revelation.” Two of the main people responsible for this new consciousness were W.E.
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Daniel Walden. Being Black: Writings by Afro-Americans from
Frederick Douglass to the Present. (Greenwich: 1970). pp. 23-33, 128-188.
Locke, Alain. The New Negro. (New York: 1925).
Merriam-Webster’s Encyclopedia of Literature. (Springfield: 1995). pp. 690-693.
Mullane, Deirdre, ed. Crossing the Danger Water: Three Hundred Years of African-
American Writing. (New York: 1993). pp. 366-489.
Reference Library of Black America. (New York: 1990). pp. 976-978.
Watson, Steve. The Harlem Renaissance: Hub of African-American Culture 1920-30.
(New York: 1995). pp. 1-20, 44-76, 140-164.
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