English Painting
INTRODUCTION
“Britain had one century of painting.”
Elie Faure’s statement summarizes best what critics, art researchers and collectors haven’t had the space, the heart or the inspiration to say in their restless attempts to present English Art.
WHY? To answer this question we must take into account more than history and documents, we must evaluate the essence, the soul of the creator, of the English man.
Andrew Crawley describes in his book (“England”),
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Elie, Histoire de L’Art- L’Art moderne,1921
Gilbey, Walter, Animal Painters in England, 1900
Gowing, Lawrence, Turner: Imagination and Reality, 1966
Leslie, C. R. and Taylor, Tom The Works of Sir Joshua Reynolds, Knight, 1809
Nicolau- Golfin, Marin, Istoria artei, 1968
Reynolds, G. Constable: the Natural Painter, 1965
Richardson, Essay on the Theory of Painting, 1715
Tinker, Brewster, Chauncey, Nature’s Simple Plan, 1922
Vertue, George, Notebooks, 1713-1752
Waterhouse, E. K. Reynolds, 1941
Gainsborough, 1958
Painting in Britain, 1953
Whitley, W. T. Thomas Gainsborough, 1925
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