Architecture: Paris Opera Hous
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le dear to the architect, Charles Garnier, and the accents of luminous, fluid figures surge forth, contrasting with the gold and red tones of the theatre. It is a success in creating paralelism between the dynamics of the building with the role of the opera music and arts in general within its 19th century context, as well as maintaining a clear picture of the internal functions of the building in its external architecture.
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