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The realization that society is more likely to acquire and remember important historical information from films rather than from celebrated texts has led to increased debates over the use of cinematography to retell substantial events. One of the primary concerns over the cinematographic medium of historical narration is the misuse of historical facts, an issue brought up after the release of Steven Spielberg’s Amistad. This concern is raised under the pretense that the film’…

…The events surrounding the Amistad trial took place during a truly “dark period” of American history. Spielberg’s intense dramatic licensing hinders his ability to promote a seamless and accurate film, which is crucial in portraying this tumultuous period in American history. As Eric Foner states, “the film is by no means a work of history.” While the highly talented Spielberg succeeds in making a Hollywood sellout, he fails in creating a work of history.